Korg, Audio Mixer MW-2408 BK
The KORG MW-2408 Hybrid Mixer combines analog warmth and digital precision with HiVolt preamps, KORG effects, and advanced mixing controls.
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The KORG MW-2408 Hybrid Analog/Digital Mixer is a premium audio solution, ideal for live and studio setups. It seamlessly integrates the warmth of analog sound with cutting-edge digital processing, ensuring superior audio quality and versatility.
Equipped with HiVolt preamps for dynamic sound, 20 integrated KORG effects, and user-friendly one-knob compressors, the MW-2408 ensures effortless sound management. Its advanced EQ controls and intuitive layout offer precise customization, meeting the demands of professionals and enthusiasts alike.
Additional features include flexible mute groups, XLR outputs, and an integrated iZotope RX software package for advanced audio editing. The MW-2408 stands as a reliable, high-performance mixer, enhancing your audio production experience.
- True Hybrid Design: Developed in collaboration with mixer design legends Greg Mackie and Peter Watts, available in 24 x 8 x 2 or 16 x 8 x 2 models. Offers practical design structure and ingenious features to simplify mixing unpredictable live performances, even for novices.
- HiVolt Mic Preamps: Designed by Peter Watts, these preamps provide exceptional headroom, outperforming any comparably-priced analog or digital mixer.
- Musician’s Phones Monitor Section: Features a unique one-knob control for fast and easy boosting of a musician’s mix without altering the Aux or Main mix.
- Mute Groups: The only mixer in its class to include Mute Groups, allowing creation of various input combinations for musicians, church services, or other live scenarios.
- True 8-Bus Configuration: Ideal for recording and live mixing, supporting musicians, church services, or cues in theater productions.
- One-Knob Compressor: Studio-grade, refined compressor designed by Peter Watts, included on all mic channels for easy dynamic control.
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Product Specifications
| Analog | |
| Analog Input Type | Balanced female XLR and ¼” TRS |
| Input Type | Balanced female XLR and ¼” TRS |
| HiVolt Microphone Preamp | -128 dBu E.I.N, -10 to -60 dBu nominal input level; 3KΩ input impedance |
| Frequency Response to Main Output | #ERROR! |
| THD to Main Output | 0.004% (20-20 kHz, unity gain, unwtd) |
| S/N Ratio to Main Output | -70 dBu (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) |
| System Crosstalk | Input to Output: -70 dBu; Adjacent Channels: -90 dBu (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
| Gain Control Range (± 1 dB) | #ERROR! |
| Main Outputs | Balanced male XLR and ¼” TRS |
| Maximum Output Level | #ERROR! |
| Output Impedance | 75 Ω |
| Headphone Output | 100 mW/ch. @ 32Ω load, 20 Hz-20 kHz (+0.5 dB, -1.5 dB) |
| Control | |
| Savable Settings | Channel Mutes, Effects & Effects Mutes, Mute Groups, Break Settings, Dynamics, Graphic EQ, Feedback Assign to Bus |
| Recallable Presets | Four Mute Groups, 10 Global Scene Memories, 24 FX Memories, 10 Dynamics, 6 GEQ, 16 or 24 Channel Mutes, 3 Feedback Bus Assignments |
| Signal Processing | |
| Mono Channels EQ | HI (12k, shelving), MID (peak, sweepable from 250Hz to 5k), LO (100 Hz, shelving), ±15dB boost/cut |
| Stereo Channels EQ | HI (12k shelving), HI MID (2.5k shelving), LO MID (250Hz shelving), LO (100Hz shelving) |
| High Pass Filter | 12dB/octave at 80Hz |
| Digital Multi-band EQ | 31-bands with nine frequencies selectable at any one time, Wide 1-octave interval and Narrow ½-octave modes |
| Digital Compressor (Hard) | 1ms to 40 ms Attack, +11dB to 0dB Threshold |
| Digital Compressor (Soft) | 1ms to 40 ms Attack, +11dB to -5dB Threshold |
| Digital Limiter | 1ms to 40 ms Attack, +19 to +3dB Threshold |
| Digital Noise Gate (Hard) | 40ms to 1500ms Release, -35 to +7dB Threshold |
| Digital Noise Gate (Soft) | 40ms to 1500ms Release, -50 to +4dB Threshold |
| Assignable Effects (Multiband EQ, Compressor, Limiter, Noise Gate) | To Main L/R, Aux 1 and Aux 2 |
| Spectrum Analyzer | 24-channel with Peak Hold function |
| Digital | |
| Main L/R Bus ADC Dynamic Range | 115dB (A-wtd) |
| Aux and FX Buses ADC Dynamic Range | 111dB (A-wtd) |
| DAC Dynamic Range for all Out buses | 115dB (A-wtd) |
| USB Stereo Input / Recording Port | USB Class 1 |
| Internal Processing | 32-bit |
| A/D/A Bit Depth | Korg Tru-Bit-Perfect 32-bit |
| USB Bit Depth | 24-bit |
| Sampling Rates | 48 kHz, 44.1 kHz |
| Digital Effects | Rev Hall, Rev Hall Warm, Room, Warm Room, Rev Vocal, Rev Vocal Warm, Stage, Stage Warm, Plate Reverb, Plate Reverb Warm, Spring Reverb Warm, Analog Delay, Tape Echo, Variable Delay, Delay of the Korg SDD3000, Chorus, Flanger, Exciter, Sub Bass booster, 1 |
| Physical | |
| Power Connector | IEC |
| Input-Voltage Range | 100 to 240 VAC, 50/60 Hz |
| Power Requirements (continuous) | 45 W |
| Recommended Ambient Operating Temperature | 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit |
| Dimensions (WxHxD) | MW-2408: 18.9” x 7.36” x 20.89" / 480 mm x 187 mm x 530 mm (17.3” / 440 mm wide without side panels, 19” / 483 mm with rack rails); MW-1608: 15.6” x 7.36” x 20.89" / 396 mm x 187 mm x 530 mm (10.6” / 356 mm wide without side panels) |
| Weight (MW-2408) | 20.5 lbs / 9.3kg |
| Weight (MW-1608) | 17.6 lbs / 8.0kg |
| MW-001 (sold separately) | |
| Dimensions | 460mm x 32mm x 21mm / 18.1" x 1.25" x 0.82" |
| Weight | 700g / 1.54 lbs |
